This week's OTT offerings promise a diverse range of entertainment, from daredevilry in a sari to epic filmmaking journeys and a variety of spooky, lucky, and heart-stopping shows.
From Manavalan to Kannan Srank, a tribute to the unforgettable Salim Kumar who made generations of Malayalis laugh with his signature humour.
Spider-Man: Brand New Day's seemingly underwhelming post-credit scene may actually be quietly setting up Peter Parker's biggest MCU adventure yet.
From Arun Govil and Shobana to Vivek Oberoi and Kajal Aggarwal, meet the sprawling supporting cast bringing Nitesh Tiwari's Ramayana to life.
Minions & Monsters entertains with its cinematic nostalgia baits, even if it never quite escapes the franchise's familiar storytelling flaws.
From Satyameva Jayate to Mastiii 4, Milap Zaveri's films may divide critics, but ranking them can prove to be even more challenging than watching them.
Rajesh Karkera takes his family of EV disbelievers on a road trip to Alibaug on the Mahindra XEV 9e and comes back as a unit singing the EV's praise. This is his account.
Con City has a fun premise and a handful of clever scams, but its biggest con is convincing you it's smarter than it really is.
Novak Djokovic pranked an unsuspecting ball girl by crying out in pain as she followed his orders to cut off some black tape from his right shoulder with a pair of scissors.
From Khazana to Tumbbad and Dhamaal, Bollywood's treasure-hunt adventures have delivered everything from hidden riches and cursed gold to madcap comedy and even horror.
From Mollywood Times to Mohiniyattam, these black comedies from South Cinema prove that the darkest humour can also deliver the sharpest entertainment.
Mohanlal, mermaids and made-for-each-other couples on OTT this week. Sukanya Verma lists your OTT options.
From Following to Oppenheimer, here's why Christopher Nolan remains cinema's greatest modern blockbuster auteur.
Jackie Shroff is winsome in a role that leans on his faded charm as veteran star, notes Mayur Sanap, and there is effortless warmth he brings to Jagdish that makes even the simplest moments land.
Exploring memorable scenes that celebrate football in the movies.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
If only Pati Patni Aur Woh Do were as funny as its director intended it to be, that would have been reason to celebrate, notes Sreeju Sudhakaran.
As we await the much-anticipated reunion of Priyadarshan and Akshay Kumar in Bhooth Bangla, Sreeju Sudhakaran looks back at their six memorable collaborations, ranking them by how consistently they deliver on entertainment.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
'We should want Saiyaara, Pati Patni Aur Woh Do, Animal and Dhurandhar to coexist. Let the audience decide what they connect with.'
As David Dhawan hints at potential retirement after Hai Jawani Toh Ishq Hona Hai, we revisit his iconic Bollywood comedies that defined an era of entertainment.
If you enjoy dark comedies, have even a passing understanding of the film industry, or simply recognise the absurdities of the world around you, then Mollywood Times emerges as one of the sharpest and most compelling love-hate letters written to Malayalam cinema, applauds Sreeju Sudhakaran.
From making us laugh with her funny reels to acting in Maamla Legal Hai S2, Kusha Kapila is in the best phase of her life.
These modern Hindi films proved that the love triangle still has enough heartbreak, passion and chaos left to captivate audiences.
Tovino Thomas storms into Athiradi like a one-man festival riot, turning this colourful campus entertainer into a loud, chaotic and mostly enjoyable ego clash.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
Vishnu Aravind's Madhuvidhu is a family entertainer that works in parts but falters when its drama turns unconvincing, observes Sreeju Sudhakaran.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
It was a big night for film and OTT stars at the News18 Showsha Reel awards 2026 in Mumbai.
Celebrate Madhuri Dixit by revisiting her most unforgettable and scene-stealing performances, from her early career breakthroughs to her later nuanced portrayals, showcasing her unparalleled talent and charisma.
From Madhuri Dixit's Dhak Dhak nostalgia to Triptii Dimri's emotional reflections, the Maa Behen trailer launch turned into a delightful event.
The 24th edition of the Zee Cine Awards 2026 took place over the weekend at the Dome SVP Stadium in Mumbai.
Eagle-eyed movie buffs don't miss a thing. Part of their passion for cinema is noticing clever little details slipped in by the filmmaker as ardently as the creative. With Easter Sunday just around the corner, Sukanya Verma digs up some super filmi easter eggs just for you.
Aseem Chhabra ranks the Best of 2025's films that released in theatres, or went directly to OTT platforms.
Ahead of Daadi Ki Shaadi's release, here's looking at Bollywood's history of mature romances, from classics like Aandhi to modern hits like Rocky Aur Rani Kii Prem Kahani, which showed that love needs no retirement age.
Explore a curated list of 10 Indian films that masterfully condense their narratives into a single day, showcasing how limited timelines can enhance storytelling and character development, from thrillers like 'NH10' and 'Kaithi' to comedies like 'Taxi No 9211'.
Toaster is neither a laugh-out-loud comedy nor the kind of satire you would expect from a premise like this, notes Mayur Sanap.
'Each mother I have played is different, but the writing dictates the doing of it. If it's written well, that's half the work done for an actor.'
Aadu 3: Part 1 feels like a film trapped in its own ambition. While it expands the universe in an interesting manner, it loses sight of the tight, irreverent humour that made the previous films click in the first place, notes Sreeju Sudhakaran.
